a book? a book!
My debut poetry collection, UNDERSHORE, was released in May 2023 from Lightscatter Press—order directly from the publisher here!
a microchap!
My microchap, the photo I don’t write about, was a recipient of Tilted House’s 2023 Netsuke Prize, and is now available for preorder! Preoders will ship in January 2025—it’s a limited edition of 120 with a handset, letterpress-printed cover—get yours here.
What’s a “microchap”? It’s a mini mini book. This one consists of a single series of poems—a total of 503 words over 12 pages—an exciting exercise for a poet who loves constriction.
poems/ poems/ poems
“ANTI-HORIZON: CAMERA CALIBRATION” in Antiphony, Issue 4, October 2024
“Disaster type” and “I invest in horizon futures” in Sixth Finch, Summer 2024
“An exercise in which I try to see blue in the red flame.” and “Or am I a room with a roof taken off, still holding onto my idea of a ceiling” in Works & Days 4, Summer 2024, from Beautiful Days Press
“the sensation is without artifact,” text(ile) triptych in Ghost Proposal, Issue 14, June 2024, featured on Poetry Daily on July 29, 2024 in their series “What Sparks Poetry.” Read Lloyd Wallace’s essay on the piece here.
“He told me he recognized our new life and I knew” and “In the early dark of morning” in Post 45 Contemporaries, Locating Lorine Niedecker: The Marsh, February 2024
“Flame” in Hood of Bone Review, Issue 1, September 2023
“Constraints I give the page as it builds my virtual life” and “Multiple fruit” in Mercury Firs, Issue 3, September 2023
“Shorn,” “All movement mimics other movement,” and “Visitation” in On the Seawall, March 2023
“The faces of a diamond” in Yum! Lit, February 2023
“Anemone (neon noon)” featured on the cover of Chicago Review, and with a facsimile insert, Issue 66:02, Fall 2022
“Top of a cloud, no airplane.” and “Hydrangea” in Sugar House Review, Issue 25, Winter 2022
“chemical lace / day series” in Paperbag, Issue Number 14, December 2022
“Pygmalion iteration” in Gulf Coast, Volume 35, Issue 1, Winter/Spring 2023
”The first symptom of a sequel” in American Chordata, Issue 12, Fall 2022
“Lash” in RHINO 2022
”ars poetica (clouded)” and “I draw a character” originally in Hobart, now in HAVE HAS HAD
“Darkness is to weight as lightness is to lightness” and “Sidelong: treatises” in Asphalte Magazine, Issue 2: FILM
“Thread split by a needle [deserts]” and “Lush border/ distillation” in Denver Quarterly, Volume 5, Number 4, 2021
“Pile” and “The Claude Glass [a convex tinted mirror]” in TAGVVERK, February 2022
“Feather crane swarm” in Guesthouse, Relish: An Internet Archive, December 2021
“Peony” in Kitchen Table Quarterly, Issue 1, Winter 2021
“Middle of a cloud, no telescope. (sentimental)” in Chicago Review online, September 2021
“Gladiolus stem” in Mississippi Review, Volume 49, Number 1 & 2, The 2021 Prize Issue
“part and parcel” in Warm Milk, Volume 3
“The Gusseted Lady” in The Quarterless Review, Volume # 17
“Vision 3” in Prelude, January 2021
“Cataract” and “vers” in Afternoon Visitor, Issue 3, January 2021
“Feather crane swarm” and “Infinity in two sizes” in Hubbub, Volume XXXIV Final Issue, 2020-2021
“age of decadence//sericulture//summoning spell” in The Bennington Review, Issue 8: Fame and Obscurity
“Newly, rendered, truly” and “Office of the Holy Face” in The Columbia Review, Spring 2020, Vol. 101, Issue No. 2; *bonus*—read editor Spencer Grayson’s thoughts on the poem here, in the magazine’s Close Reading Series
“The Visitation” in Ugly Duckling Presse’s Second Factory, Issue 1
“Floriography: A Translation” in Yalobusha Review, Issue 30
“Machine” and “Lush/Brink” in Turbine/Kapohau 2018
“Hyacinth” and “I cannot live with You” in Radar Poetry, Issue 19
“Flood Season,” “Conjuring,” and “Shedding” in Bathhouse Journal, Issue 18: Viscera
